By Dr James Rodgers, Reader in International Journalism at City, University of London.
Published (Updated )
It was a day of change. After the long Russian winter, spring had come to the north Caucasus. The air was warmer. Passing trucks and boots kicked up dust from the ruins of Grozny. The city centre was now bombed-out buildings and piles of bricks as far as you could see.
It was Sunday March 26 2000. Far to the north, in Moscow, Vladimir Putin was waiting to see if voting in Russia’s presidential election would confirm him in the post he had held in an acting capacity since the retirement of his predecessor Boris Yeltsin at the turn of the year. It did.
In the two decades since, Putin has defined what political power means in post-Soviet Russia.
"At the same time, Russia has also tried to control and define the way its story is told to the world."
In a sense, that process was already underway in 2000. Grozny, capital of the southern Russian region of Chechnya, had been through two wars in a little over five years. In the first, from late 1994 to 1996, journalists had been given great freedom to report what they wanted. Their access was restricted only by their own sense of risk.
It was different once the separatist conflict flared again in Chechnya in the autumn of 1999. The government in Moscow, then under the leadership of Putin as prime minister, had disliked the negative coverage of civilian deaths during the previous conflict which had resulted from Moscow’s attempts to bring the unruly region back under control.
Eyewitness to war
I was there as a correspondent in Grozny that spring day because I had been able to travel there by military helicopter with Russian army minders. In one sense, that was reassuring. Westerners had been kidnapped and murdered, and travelling alone was even more dangerous than it had been before. It was the army, though, that decided the schedule, and we had very little chance to see anything beyond the places they chose to take us, and the people they permitted us to meet.
Something else was changing, too. For the first time, I saw a photojournalist file digital photos from a laptop. I was reporting for TV and radio that day. I could send radio reports via a satellite phone, but TV material had to be sent from a TV station far from the front line, meaning a long drive before it could be transmitted.
Since then, technology has changed the world of international correspondents in many ways. But some things have stayed the same. Throughout Russia’s modern history, its treatment of foreign correspondents has been the story of its relations with the rest of the world.
For my forthcoming book, Assignment Moscow: Reporting on Russia from Lenin to Putin, I have researched the lives and working conditions of Moscow correspondents back to the time of the 1917 revolutions. It is fair to say that their experiences have varied with the political climate.
Changing the story
It was not just the weather that was changing that spring day in Grozny. Yeltsin’s relations with the West are seen now by many of his compatriots as a supine acceptance of US foreign policy.
"Putin, as he enters his third decade at the summit of Russian power, has chosen to reject and defy."
It has always been true in military and diplomatic affairs that you need not only to act, but to tell your story, too. That has become even more the case in our age, when so many people spend so much time consuming information.
Since 2000, Russia has made great and costly efforts to shape the way it is seen around the world. In 2005, it launched Russia Today, the TV channel now known as RT. It has made extensive use of social media platforms, both to distribute content from RT and other Kremlin-friendly media organisations – and perhaps to interfere in elections.
Within the country, a network of exhibitions “Russia – My History” has been opened to tell citizens which parts of their national story should be particular sources of pride.
With all these official attempts to tell Russia’s story, what hope do correspondents have? The truth is that they still have a great deal of influence. Russia may have spent many millions on RT, but few people watch it. It took a World Cup to polish the country’s image, and to make at least one correspondent wonder if things might change. Continuing diplomatic tensions over Ukraine and Syria, and the poisoning of the former Russian spy Sergei Skripal and his daughter have not won Russia many fans.
For now, Putin’s 20-year story has become one of war and peace with the West. His presidency has already been longer than the great sweep of history which that masterpiece covered. It may go on much longer.
Dr James Rodgers is a Reader in International Journalism and Associate Dean (Global Engagement) at City, University of London. He is responsible for the MA International Journalism and the Erasmus Mundus MA in Journalism, Media and Globalisation. He is the author of three books on reporting international affairs. His next book, 'Assignment Moscow: the story from Russia', is due to be published in 2020 by IB Tauris, part of Bloomsbury Academic.
Dr Rodgers' particular areas of interest in international journalism are Russia and the former Soviet Union, and the Middle East.
Before entering Journalism academia full time in 2010, James was a journalist for twenty years. He spent fifteen years at the BBC, completing correspondent postings in Moscow, Brussels, and Gaza, as well as numerous other assignments. These included reporting from New York and Washington after 9/11, and covering the war in Iraq in 2003 and 2004. In addition to his academic work, James still works as a journalist, contributing print, web, and broadcast work to news outlets in Britain and the United States.