Narrative Non-Fiction Short Courses
|Start Date||Start Time||Duration||Cost||Course Code||Apply|
|Tuesday 3 October 2017||18:30 - 20:30||10 weekly classes||£295.00||CS1220||Enrolment Closed|
|Wednesday 2 May 2018||18:30 - 20:30||10 weekly classes||£295.00||CS1220||Apply Now|
This Narrative Non-Fiction evening course aims to give writers confidence in their ability to deliver good, clean prose, to develop their use of vivid metaphoric language, and to structure effectively both long and short works. Beginning with set exercises and moving on to the student’s work, the class becomes a workshop in which the students benefit from sharing each other's work as well as receiving guidance from the tutor. The requirements of editors, agents and publishers are explained. Non-fiction of all genres (memoir, biography, travel, history, science and politics) is welcome.
The aim of this Narrative Non-Fiction course is to encourage and inspire, through group discussion and individual exercises. Detailed individual feedback and editing of some of the assignments is a special feature of the course, with the aim of teaching students how to edit and judge their own work. Guidance will also be given on how to prepare a book proposal.
Short course tutor Peter Forbes talks enhancing and taking your writing skills further with Narrative Non-Fiction.
Peter Forbes is a science writer, editor and teacher. He has written numerous articles and reviews for the Guardian, Independent, The Times, Financial Times, Aeon, Nature, Scientific American, New Scientist, World Medicine, Modern Painters, New Statesman, and other magazines.
He was editor of the Poetry Society's Poetry Review from 1986-2002, and played a major role in the groundbreaking New Generation Poets promotion of 1994. He then edited Scanning the Century: The Penguin Book of the Twentieth Century in Poetry (Viking, 1999).
The Gecko’s Foot, a book on the new science of bio-inspired materials, was published by Fourth Estate in 2005 and was long-listed for the Royal Society Prize. Dazzled and Deceived: Mimicry and camouflage (Yale University Press, 2009) won the 2011 Warwick Prize for Writing. His latest book is Nanoscience: Giants of the Infinitesimal (Papadakis), co-written with the sculptor Tom Grimsey He has been a Royal Literary Fund Writing Fellow at Queen Mary, University of London, St George’s, University of London and Great Ormond Street Hospital and teaches a PhD writing workshop at UCL. He has also run writing workshops at Goldsmiths, University of London and Buzzfeed.
Applicants must be fluent in written and spoken English.
What will I learn?
- Deliver tightly constructed prose for all occasions;
- Analyse critically your own and others' work;
- Plan research in libraries, archives and online;
- Build a publication profile;
- Negotiate the changing markets for non-fiction;
- Develop your subject and write a publishing proposal.
Teaching and Assessment
There is no assessment, but the course aims to teach students how to edit and judge their own work through exercises, both individual and in small groups, where reading aloud encourages group discussion. The aim of this course is to encourage students in their writing and offer them the chance to improve their skills. Guidance will also be given on how to prepare a book proposal. Guest speakers may include Julie Wheelwright, director of the MA in Creative Writing (Non-fiction) at City, University of London, and also an editor/publisher with tips on how to get published.
Katherine Boo, Behind the Beautiful Forevers - a documentary account of a Mumbai slum, written novelistically.
Edmund de Waal, The Hare with the Amber Eyes - a personal quest memoir.
Jeanette Winterson, Why be Happy When You Could be Normal - personal memoir.
Robert MacFarlane, The Old Ways - rhapsodic, highly literary nature writing.
Rebecca Skloot, The Immortal Life of Henrietta Lacks - the story behind a dramatic and terrible medical story and much more, the writer's relationship with one of the family coming centre-stage.
Tom Wolfe, The Right Stuff - pioneer text of the New Journalism that spawned creative non-fiction as a genre.
Robert Pirsig, Zen and the Art of Motorcycle Maintenance - philosophic polemic/personal narrative intertwined.
James D. Watson, The Double Helix - pioneering work of telling science like it is.
SOME BOOKS ON LANGUAGE AND WRITING
Guy Deutscher, The Unfolding of Language (Arrow Books). Revelatory book on the evolution of language. It will never look the same again.
John Whale, Put it in Writing (out of print but available very cheap from Amazon if you're quick).
Keith Waterhouse, Waterhouse on Newspaper Style (Revel Barker). Don't be put off by the title. All writers will enjoy Waterhouse's pithy take on language.
Lynne Truss, Eats, Shoot and Leaves (Fourth Estate). The classic that manages to make punctuation entertaining.