Sci-Fi, folk songs and mince pies at City Writes Autumn 2018
Competition winners and visiting lecturers perform and read their work at this year's City Writes Autumn event.
With our headline act, visiting lecturer Cherry Potts, bringing along performers from her Solstice Shorts literature and music Festival, the City Writes Autumn 2018 Event was always going to be a bumper and festive night, but the quality of the work being read and performed really exceeded expectations.
First, we had our wonderful competition winners, chosen from a fantastic group of submissions. Angelita Bradney began the evening with her story, ‘A Chance to make things better’, that beautifully depicted the memory of a British seaside town after environmental meltdown. Evocative and moving, the closing setting sun offered some hope for the future.
From there we moved to Italy with Kate Henderson’s meticulously weighted rendering of the mundane minutiae of relationships, ‘The Bay of Naples’, as a woman on holiday tried not to think about her feelings for her husband. It’s amazing what a cup of tea can do for love.
As we contemplated the intricacies of long-term relationships, Debz Hobbs-Wyatt stood up and took us to America in her story, ‘Four Minutes in April’. Different characters and voices were expertly wound together to give us a story of love and loss in different generations and across racial boundaries.
Meera Betab was our final competition winner, taking us into the near future AC (After Copies), with her story, ‘Copy’, in which a professor has created a copying machine capable of created a perfect duplicate of a human right down to its memories, to every thought and feeling that makes us most individual. The twist at the end gave us all something to think about as Cherry Potts took to the stage.
Cherry read us a tantalising extract from her story ‘The Midwinter Wife’ from the Shortest Day Longest Night anthology, the second of the Solstice Shorts anthologies. We were left wondering what the strange woman, taken in, clothed and fed by a 15-year-old boy, would do next. He found her naked and scratched being hissed at by the local cats. Though his friend and neighbour helps him by lending a coat, the boy is soon left on his own with this woman who appears to be shifting, transforming in front of him every time he returns to his bedroom where she has curled herself in his sheets.
Leaving us hanging, keen to buy a copy of the anthology to find out what happened next, Cherry then introduced Katarina Watson who performed her story ‘Threshold’, mesmerising us with a memorised performance about a young woman preparing to open the door to her home and her famous lover, not knowing what weather front he would confront her with once she’d turned the key and stepped over the threshold.
Finally, Ian Kennedy and Sarah Lloyd sang a beautiful folk song Cherry herself had translated and set to music. Their harmonies perfectly transported us to distant times and opened up a field of debate as Cherry fielded questions from the audience.
With book buying and signing and wine and mince pies to follow, City Writes Autumn 2018 event was a brilliantly seasonal night. Thanks to all involved.
For those unfamiliar with City Writes, it is an exciting termly event that showcases the best of City’s Short Courses Creative Writing talent. City Writes hosts readings from alumni, students and tutors. One reader offers a professional perspective, reading from a new or award-winning publication, and the other readers are selected on the basis of a 1,000 word submission to a termly fiction writing competition open to all current and previous students of a City Creative Writing Short Course. Our guest reader for next term is Harriet Tyce whose debut Blood Orange comes out in February next year and has been toasted as the most talked about thriller of 2019. The next event will be held on the 9th April 2019 and tickets will go on sale next term. Details of the upcoming competition can be found here.