City St George’s historian Dr Georgios Giannakopoulos explains how the Elgin Marbles became a thorn in British-Greek diplomacy.

By Eve Lacroix (Senior Communications Officer), Published (Updated )

Will the Parthenon Marbles be returned to their original home in Greece?

A Downing Street meeting in December between British Prime Minister Rishi Sunak and Greek PM Kyriakos Mitsotakis in Downing Street prompted fresh debate about whether the Elgin Marbles will ever return to Greece.

The PMs ostensibly met to discuss foreign policy. Official accounts of the meeting made no reference to the sculptures, but former Greek Culture Minister Professor Stamatoudi told BBC Radio 4 that she believes “a deal is close.”

This meeting comes a year after former UK PM Rishi Sunak snubbed his Greek counterpart in the eleventh hour after Mitsotakis indicated he would raise the issue of the marbles.

Dr Georgios Giannakopoulos, Lecturer in Modern History at City St George’s, University of London, spoke with BBC London to explain the deeper historical context behind this diplomatic issue and resolve remains elusive.

What are the Elgin Marbles?

The Parthenon Marbles are a collection of ancient Greek sculptures that originally adorned the Parthenon and the Acropolis of Athens.

The sculptures are also known as the Elgin Marbles because they were removed between 1801 and 1815 by Lord Elgin, the British ambassador to the Ottoman Empire.

Lord Elgin claimed he received permission from the Ottoman authorities to remove the sculptures, although no official document supporting this claim has ever been produced.

After their removal, the sculptures made their way to London in the early 1800s and were eventually acquired by the British Museum in 1816.

The British Museum has argued that the sculptures were legally acquired, but last year an official representative of Turkey to UNESCO confirming that no document exists to substantiate his claim.

A cultural symbol and a diplomatic spat

The question of the marbles' return became a key issue in Greek-British relations in the 1980s, when Greece began formally requesting their return.

Until now, the British response has been twofold: the UK claims the removal was legal, and that the sculptures are better preserved in the British Museum.

Dr Giannakopoulos explained that this argument shifted in recent years:

The removal of the Elgin Marbles was likely an act of dubious legality.

Greece has moved away from merely claiming ownership, and now frames the issue as one of reunification.

This shift was underscored by Greek Prime Minister Mitsotakis, who recently invoked the example of the Mona Lisa, suggesting that art can be housed in different countries without losing its cultural significance.

Furthermore, Greece’s new Acropolis Museum, which opened in 2009, offers a modern, secure environment for the sculptures should they return.

The sticking point: ownership and legal frameworks

Despite this shift in focus, the issue of ownership remains a sticking point.

Dr Giannakopoulos explained that the British Museum’s legal framework complicates the return of the marbles. It operates under its own legal regime, having been founded under the British Museum Act of 1753, which established the museum’s autonomy.

Other institutions – such as the Victoria and Albert (V&A) Museum, which is governed under a different type of law (the 1983 Heritage Act)  – have explored ways to return cultural artefacts, whereas the British Museum’s policies remain more rigid.

Polling also suggests growing public support for the return of the marbles. A 2023 YouGov poll showed that 64% of the UK public supports returning the sculptures as part of a cultural exchange programme. This reflects a growing sentiment in favour of restitution, though this support is still not universal.

Speaking to the BBC, Dr Giannakopoulos said:

The British Museum is under huge pressure from its donors and trustees to come up with a framework of agreement [on what to do with the Parthenon Marbles] but at the same time it's undergoing a process of rebranding and reconstruction.

The urgency right now is because the British Museum wants to move fast with this story and come up with some kind of a deal.

The interesting point here is that this is a discussion between the Greek government and the British Museum. The British Museum acquired this collection of marbles 200 years ago, by a British Act of Parliament. Therefore the British Museum is its own actor in trying to come up with a solution to this.

On the other hand, you have a Greek museum that is state of the art and ready to house these marbles so long as there is an agreement that they come back to the museum not as a loan. This is the sticking point.

An image of Georgios smiling to camera. Below him is the red banner of the BBC and its logo is up top.
Image via BBC News

Asante gold loaned back to Ghana: colonialism, cultural capital and heritage

Similar questions of colonialism and cultural heritage and history have been bubbling for years.

Earlier in 2024, the V&A announced a loan agreement with the Manhyia Palace Museum in the Asante region of Ghana to return gold and silver royal regalia that were looted from the country by the British in 1874 and 1895.

These artefacts are seen in Ghana as missing parts of the country’s national heritage, with great spiritual value for the Asante people.

In an article for The Conversation, Dr Giannakopoulos argued that these kinds of renewable cultural partnerships were simply "an elegant term to describe loans".

"The elephant in the room is the existing legal framework, forged in period of decolonisation and diminishing western influence, that forbids the repatriation of antiquities," he added.

The V&A and the British Museum fall under different legal regimes. Dr Giannakopoulos told the BBC:

This is a wider question about English and British cultural heritage.

The V&A, which is governed under a different type of law (the 1983 Heritage Act), is pushing for a reform for this. The British Museum is operating under a different legal regime.

The big problem that the British Museum faces right now is how to enter this new period of restitution, of giving back artefacts, but doing it in a way that allows the museum to be significant and still have a collection.

It's a difficult problem for the museum to have, how to come up with a framework that allows for restitution without naming it as such.

Reunification vs ownership

With Greece increasingly framing the return of the Parthenon Marbles as a matter of reunification rather than ownership, the diplomatic stakes continue to rise.

As public support in the UK grows, the British Museum is faced with the challenge of reconciling its legal framework with the shifting cultural and political landscape.

Whether a deal is reached will depend on how both sides can navigate these complexities, with the marbles’ future hanging in the balance.