Music PhD candidate Seth Ayyaz presents 'The Bird Ghost at the Zaouia', Leighton House Museum, 31 October–5 November 2011
'The Bird Ghost at the Zaouia' is a multi-channel sound installation by Seth Ayyaz. It is a Maza J production presented by the Zenith Foundation in association with Leighton House Museum and Nour Festival and runs from 31 October 31 - 5 November 2011 at Leighton House Museum.
Exhibition cost: free
N.B. Museum admission applies (free guided tour on Wednesday at 3pm)
The Bird Ghost at the Zaouia installation will be accompanied by a limited edition artist's publication.
Location: Leighton House, 12 Holland Park Road, London W14 8LZ
Opening hours: 10:00-17:30, closed Tuesdays
Underground: High Street Kensington, Olympia, or Holland Park
For more information see:
Seth Ayyaz describes the background to his work:
"For the person whose heart has been conquered by the fire of the love of God Most High, music is important, for it makes that fire burn hotter. However, for anyone whose heart harbors love for the false, music is fatal poison for him and is forbidden to him" (Al-Ghazzali: On Listening To Music.)
"Between 2002 and 2011, I made many hours of recordings at various zaouia (Suﬁ shrines), mosques and religious spaces in Morocco, Egypt, Syria, and Lebanon while attending various prayers and ceremonies (dhikr, zar, lilat, adhan, salat, tilawa).
At the request of the respective religious leaders, no 'musical' material has been used. I found birds, resonant tails, breathes, winds, noise, overheard conversations, and extraneous sounds floating in, sounds that were left behind.
The tensions within Sharia about the permissibility and place of music is long, complex and ongoing. Virtue or poison? As well as engaging debates within Islam, the Bird Ghost at the Zaouia looks outwards, asking questions about sonic orientalisation - tourism that captures the 'ethnic' and colonises the ear.
The history of Leighton House and its association with the imperial period offers a special context in which to immerse your ears."
Seth Ayyaz lives in London and is a composer-performer spanning live electronics, free improvisation, noise, electroacoustic, and Arabic musics - principally nay (end-blown ﬂute), ghaita (reed pipe), and darbuka and daf (hand percussion).
Drawing on his background in neurosciences, his work is concerned with (dis)embodied perceptions and how these resonate across psychological and social spaces. His work offers counter-narratives to current metaphors of cultural exchange and hybridity, instead foregrounding issues of friction, displacement and translation.