1. Concerts
  2. Blog
  3. YouTube channel
  4. 40th Anniversary
  5. City Summer Sounds
  1. Staff research interests

Staff research interests

  • Dr Newton Armstrong - Composition; improvisation; issues of human agency and embodiment in digital performance practices; interfaces between instrumental and electroacoustic resources; interdisciplinarity and collaborative process.
  • Dr Aaron Einbond - Composition for instruments and interactive electronics; sound installation, field recording, and site-specific performance; Music Information Retrieval and Big Data; noise and computer improvisation; timbre and space.
  • Professor Stephen Cottrell - ethnographic approaches to musicians and music-making, particularly within the Western classical tradition; the study of musical instruments, particularly the saxophone; the study and analysis of musical performance, including using computational methods.
  • Dr Alexander Lingas - Music and liturgy of the Eastern Orthodox Church; especially Byzantine chant; music and identity in contemporary Eastern Europe and the Balkans; diaspora studies; modern Greek song; music and liturgy; philosophies and theologies of music; performance practice.
  • Dr Shay Loya - Liszt; exoticism, nationalism and modernism in the nineteenth century; transculturation; transcription as cultural practice; music analysis and theory.
  • Dr Miguel Mera - Composition for the moving image; film, television and videogame sound; contemporary instrumental, electronic and digital music; popular music; collaborative processes in music creation.
  • Dr Laudan Nooshin - Creative processes in music, especially Iranian classical music; Iranian traditional and popular musics; music and youth culture in Iran; music and cultural identity; music, power and ideology; globalisation, post/neo-colonialism, Orientalism and the politics of representation; music and gender, with particular reference to contemporary women musicians in Iran; music and Iranian cinema.
  • Ian Pace - 19th and 20th century music history, historiography and aesthetics; the Western avant-garde, especially in Germany; music-theatre; historical performance practice and pedagogy; the orchestra and other musical institutions; contemporary performance; music and society; Marxist aesthetics; critical and comparative musicology.

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London EC1V 0HB

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City, University of London is an independent member institution of the University of London. Established by Royal Charter in 1836, the University of London consists of 18 independent member institutions with outstanding global reputations and several prestigious central academic bodies and activities.