||The Dealing in Cultural Objects (offences) Act 2003 and self-regulation in the UK-based ancient art and antiquities trade
|Patricia Bueno Delgado
||Learning through two-way dialogue in Mexico City's contemporary art museums
||Digital diplomacy: a comparative international analysis of online museum projects
||Biennial exhibitions of contemporary art: The case of Thessaloniki Biennale, Greece
||The new museum, rhizomatic thinking and interactivity; investigating audience experience in the museum space.
||Is crowdfunding the tool to democratise philanthropy?
||Digitisation of culture: A case study of artefacts from the Kingdom of Ile Ife, Nigeria
||Playing games with reality - a systems-theoretical analysis of emerging modes of participatory performance